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The Silent Killer of Technical Teams: Micromanagement in Live Entertainment

The biggest behavioural mistake leaders make in our industry is micromanagement. 

Nothing destroys confidence and motivation faster than having someone standing over your  shoulder, questioning every step you take. I have always found that some of my best teachers  were my worst managers—not because they lacked knowledge, but because they struggled to let  go of control. If a manager will not let you do your job, what is the point in you being there? 

Micromanagement does not just inconvenience people.

It creates fear. It makes individuals  second-guess what they already know as professionals. It turns workplaces into eggshell  environments. People start hiding mistakes instead of admitting them. I have seen breakdowns in  communication where the problem did not become serious until it was too late, simply because  nobody felt safe enough to speak up. 

Burnout is becoming one of the most serious problems in live entertainment today, and it is not  caused by long shifts alone. It is caused by a lack of control, a lack of trust, and a lack of  communication. People burn out when they feel they cannot speak up without consequence. A  real leader should be able to spot when someone is stretched too far and step in before they  break. Emotional intelligence is not optional in this industry anymore. If you cannot read your  team, you will lose them. 

And this problem gets worse in environments where everyone believes they know the “right” way  to do things. Put ten riggers in a room and you will get ten different ways to rig the same piece of  truss. When a leader is insecure, threatened, or emotionally volatile, micromanagement becomes  their shield. They believe control equals safety. 

In reality, it drives talent out of the industry. 

Gallup’s 2023 workplace study found that 70% of a team’s engagement is driven directly by the  behaviour of their manager, not salary, not perks, not even company reputation. If leaders make  staff anxious, mistrusted, or invisible, no amount of money will make them stay. 

I know this because I was once the frustrated technician being micromanaged. I even resented a  new manager who arrived in a role I wanted. I challenged them. I pushed back. I was completely  unreasonable at times. They did not react.

Then one day, during a difficult period, they sat me down and asked a question no manager had  ever asked me before: 

“What do you want?” 

I said, bluntly: “I want your job.” 

They responded: “Then how are we going to get you there?” 

What followed over the next four years was mentorship—not management. I learned how to lead  people, not just workflows. I learned that if the job is finished and there is no more work to do, let  your team go home. No time-filling. No clock-watching. Respect time, and they will give it back  tenfold when it matters. 

They taught me another powerful lesson about perception. We were in a production meeting with  an incoming company. I was there representing the technical team, wearing shorts and a T-shirt. I  complained that the room was cold, and the reply came bluntly: 

“If you dress like a child, what do you expect?” 

It was harsh, but correct. I wanted to be treated like a leader, yet I presented myself like a kid who  had just climbed out of the grid. From that moment, I changed how I dressed, how I  communicated, and eventually how I carried myself. That shift led to more responsibility,  promotion, and further education. Eventually, I did get the position I once resented someone else  for holding. 

That is what true leadership looks like. 

Not control. Not fear. Not ego. 

Trust. Development. Communication. 

And it matters more than ever. 

The World Economic Forum estimates that 44% of the global workforce will need reskilling within  five years. If leaders do not learn how to build people, we will not have the technicians, operators,  or managers needed to keep this industry alive. 

As leaders, we are not just running shows. We are building the next generation of show builders, the next generation of show creators.

If you take one thing away from this, it is that you do not need to know everything, but you do  need to know how to communicate. 

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ENGAGEMENT QUESTION 

If you are a leader, or want to be one, ask yourself: 

Do I give people responsibility… or do I take it back the moment I feel uncomfortable? If that question stings, the message worked. 

What is the best, or worst, leadership behaviour you’ve ever experienced in entertainment? 

Reference List:  

Gallup – State of the Global Workplace 2023 / Publisher: Gallup / Year: 2023 
Website: https://www.gallup.com/workplace/349484/state-of-the-global-workplace.aspx 

World Economic Forum – The Future of Jobs Report 2023 / Publisher: World Economic Forum / Year: 2023 
Website: https://www.weforum.org/publications/the-future-of-jobs-report-2023/

Assistant Director of Entertainment Technical -MACAO
Peter Wright is the Assistant Director of Entertainment Technical at MGM Macau, with over 25 years of experience across live entertainment, theatre, themed attractions, and international productions. Based in Macau, he leads multidisciplinary teams in lighting, sound, automation, rigging, staging, and show operations.

Dyslexic and a lifelong learner, Peter is completing a bachelor’s degree in business management, focusing on leadership, organisational behaviour, and the cultural impact of technology in creative industries. He writes about leadership, creativity, technology, and backstage realities, blending practical insight with lived experience.

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This post was last modified on April 24, 2026 12:41 am

Categories: Industry News
Peter Wright: Peter Wright is the Assistant Director of Entertainment Technical at MGM Macau, with over 25 years of experience across live entertainment, theatre, themed attractions, and international productions. Based in Macau, he leads multidisciplinary teams in lighting, sound, automation, rigging, staging, and show operations. Dyslexic and a lifelong learner, Peter is completing a bachelor’s degree in business management, focusing on leadership, organisational behaviour, and the cultural impact of technology in creative industries. He writes about leadership, creativity, technology, and backstage realities, blending practical insight with lived experience.
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