Tadeusz Kantor was an incredible multi-talent: stage director, creator of happenings, painter, set designer, writer, art theoretician, actor in his own productions, and lecturer at the Academy of Fine Arts in Krakow. Kantor is renowned for his revolutionary theatrical performances in Poland and abroad. He was one of the great influences for the diverse and liberal

“This will be my only contract” ……….. 13 years later. But in 2005 when I started my first contract, I said that. Multiple times. Okay yeah, throughout the contract and even while I was home after my first contract. I know.. I can’t believe it either! Ha!! We signed on to the ship in Tampa

In this preview episode of the StageLync Podcast, I sit down with theatre director and artistic leader Andy Packer to reflect on the 20-year journey of Slingsby Theatre Company. What began as a small ensemble touring schools in South Australia has grown into an internationally recognised company performing across multiple continents. Andy shares the thinking

In this upcoming episode of the StageLync podcast, I speak with Melbourne-based creative director, strategist, and facilitator Erica McCalman about the evolving reality of Australia’s performing arts sector. Our conversation moves far beyond production roles and festivals, diving into how artists are navigating unstable careers, shifting cultural identities, and the deeper question of what it

The Totally Thames festival draws on the River Thames as a vital source of creativity and community connection across London. This first wave of programming reveals a dynamic mix of site-specific installations, live performances and new writing. From large-scale public artworks and immersive musical experiences to intimate storytelling and emerging theatre voices, the 2026 events

The Circus Arts Guild of America welcomes the inclusion of circus arts language in the Fiscal Year 2027 House Interior, Environment, and Related Agencies Appropriations Report. The report recognizes circus arts as a distinct component of the nation’s performing arts workforce and encourages the National Endowment for the Arts (NEA) to examine opportunities to better