Fresh from winning The Scotsman Fringe First in week one and being selected as one of five recipients of Francesca Moody’s Shedload-of-Future Fund 2026,TOASTreturns to Summerhall by popular demand from Wednesday 26thto Monday 31stAugust.
Written and performed by bold new voiceJude Green (they/them),TOASTis a brutally funny exploration of navigating the Universal Credit system while trying to survive as an artist. As described byThe Scotsman, “It’s a play for anyone who’s trapped by the choices they’ve been forced to make and dared to dream of something better.” An unrelenting comedy about starving for your art,TOASToffers a gut-punching look at broken systems and broken promises, exposing a UK benefits system so flawed it becomes almost laughable.
Having taken Edinburgh by storm, this is a vital, frenetic and fiercely human exploration of welfare, survival and the realities facing us all. Drawing on lived experience, Jude Green delivers an absurd and biting takedown of the UK benefits system and cost-of-living crisis, asking whether we value art more than the people who make it. An outside eye was provided byDebbie Hannanand starring Green alongside Silent Faces’Jack Wakely (he/they), this chaotic, funny and moving two-hander follows a creative spiralling down a rabbit hole as negotiations with employers, agents and Universal Credit begin to unravel.
Jude Green, comments,We were already bowled over by the love for ‘Toast’, but then to sell out the 80 seater Dissection Room for both days of what was meant to be our closing weekend was mind blowing. So as bonkers as it feels, I now get to say that we’re ‘back by popular demand!’ We’ve had a cracking time so far, and it feels like we’re only just getting started.
An honest, unflinching take on survival versus acting, it shines a light on what it means to pursue a life in the arts in a world that does not prioritise it. Exposing the ridiculousness of treating survival as a joke we are all expected to accept,TOASTspotlights those pushed to the edge with nowhere to turn and nothing to fall backon, finding humour in the chaos and the constant demand to simply cope and carry on. Vitally supported by those who have lived through it, this is a blisteringly smart rallying cry wrapped in comedy, asking why this has become normalised and whether we’ve all simply learned to accept the taste of burnt toast rather than expect something better.
With a captivating performer, edgy writing, a fresh concept and an impressive economy of means, Toast turns very little into powerful theatre and lands a significant gut punch.Disrupting Stages
Ground-breaking work Fringe Review
An impeccably written and well-crafted piece from a completely captivating performer. Hilarious and gut punching! Not one to missLiv Ello, Body Show
Main images courtesy of TOAST
This post was last modified on August 24, 2026 3:44 pm