7 Simple Steps on How to Find a Circus Job & Make the Most of Your Profile on CircusTalk
At CircusTalk, the international circus community’s online professional network and resource, a large percentage of our email is from circus
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Negotiating an Artist Contract, a Complicated But an Essential Skill
As a self-employed artist, you have already negotiated many contracts but have you done it correctly? Did you forget to
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Safety and Your Circus Business: Preparing for an Accident
If you own a circus/aerial arts studio, could your business survive financially if an accident occurred and you lost a
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Do You Really Need a Circus Agent?
As a circus artist, how do you sign up with an agency? Which agency would get you the types of
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Steal From an Artist with an Agent: Advice from APAP Pros on Artist Representation
The Association of Performing Arts Professionals conference, affectionately known as APAP, annually floods the midtown Hilton for a weekend in
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The Benefits of Owning a Domain Name as a Circus Artist
A domain name is an address which directs you to a specific location on the internet. It can be a
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Making Audiences Part of the Show – Audience Engagement as Artistic Practice
Circus festivals epitomise the evolution of circus, however, during one of the festivals I worked at this season I had
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Yes Virginia, Professional Aerialists Do Use Crash Mats During Performances, and You Should Too
Mary Wolfe-Nielsen and Tyce Nielsen, aka Duo Transcend, performed a death-defying trapeze act on the July 17th episode of America’s
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Warm-Ups for the Circus Artist, Part Two
In part one we established the scientific basis for why warm-ups are an integral part of circus practice. To summarise,
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Warm-Ups for the Circus Artist, Part One
Imagine you’re about to start warming up before your circus class. What will it look like? How long will you
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5 Tips for Self-Marketing as an Artist
I was sitting in the chapel-turned-classroom at Ecole de cirque de Quebec, listening to Julie Lavergne talk about the overview
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