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When Empathy is Your Strongest Algorithm

In a world obsessed with data and automation, the most powerful leadership tool isn’t a dashboard. As AI handles the ‘how,’ our real work becomes understanding the human story behind the numbers and leading with ‘why.’

I remember looking at a rehearsal schedule a few years ago. On paper—the data of our production—everything looked optimized. We were hitting our page counts, the transition timings were shrinking, and we were technically on track. The numbers screamed efficiency.

But a few quiet conversations in the hallway with a couple of ensemble members revealed a different reality. For them, a specific five-minute sequence we were considering cutting to save time wasn’t just clunky staging. It was the only moment they felt truly connected to the show’s emotional core. The data told me the scene was a bottleneck; the humans told me it was the heartbeat.

We kept it. We refined it. And that experience has stayed with me ever since.

In stage management, it’s easy to get hypnotized by the clean certainty of a production report or a digital tracking sheet–I love a good spreadsheet just like the rest of you. Numbers don’t have opening night jitters. They don’t have bad days. They present a version of reality scrubbed of the messy, human context that actually makes theatre happen. Now, with AI promising to make our schedules “smarter” and our logistics more predictable, the temptation to let the data drive is stronger than ever.

We’re told tech will free us up for strategic work. But in the rehearsal room, the most strategic work is noticing the things the data can’t see. Our true-north isn’t a better algorithm; it’s an old-school leadership pillar: Empathy. This is a huge reason why I’ve been developing BackstageOS, so that I can focus on the human moments that need our attention.

The Blind Spots in the Production Report

Data shows us patterns of behavior, but it can’t show us motivation. It tells us what happened during a run-through, not why it happened.

  • Productivity vs. Humanity: A report might flag a dip in transition speed during Act II. The data suggests a training issue. The empathy reveals a team grieving a personal loss or burning out from a silent, invisible workload. The spreadsheet doesn’t know the difference.
  • Engagement vs. Boundaries: A tracking log might show an ASM consistently leaving the theater exactly at the out-time, which a data-only leader might flag as a lack of commitment. What it misses is that this person is a caregiver or a student who spends their entire commute solving the next day’s prop presets. The data sees a boundary; empathy sees a whole life.
  • Feedback vs. Friction: An analytics tool might show that no one is using the new digital costume plot you spent hours building. The data suggests the tool is a failure. A conversation reveals that the team feels overwhelmed by a constant barrage of new collaboration apps and is clinging to paper out of a need for stability, not defiance.

Analytics can A/B test a rehearsal call to see which gets more “confirms.” What it can’t measure is the slow erosion of trust when communication feels like a directive rather than a dialogue. Efficiency is not the same as connection.

Purpose is the Human Filter for Data

When you lead with a clear sense of purpose—your Why—data stops being a set of instructions and becomes a set of clues. Instead of asking, “What does the report tell us to do?” you start asking, “How does this information help us better serve the production?”

A stage management team driven by the purpose of creating a safe space for creative risk will look at a high number of notes very differently than a team just trying to “get through tech by 11 PM.” The former sees an opportunity to support the actors; the latter sees a failure to meet a deadline.

Sharing the “Why” empowers your team to interpret data on their own. If your crew understands the ultimate goal is to foster a sense of ensemble storytelling, they will make a hundred small, intuitive decisions on the deck that align with that goal—decisions no top-down directive or AI-generated preset list could ever replicate.

Empathy as a Practical Leadership Skill

Empathy in stage management isn’t about being “soft” or absorbing everyone’s stress. It is a rigorous practice of seeking to understand, curiousity.

  1. Listen for what isn’t said: It’s the work of noticing the tension in the room during a production meeting or the silence of a usually vocal designer.
  2. Welcome Dissent: When an actor says, “This transition feels wrong,” an empathetic leader doesn’t just push past it to stay on schedule. They see it as a signal that the plan has a blind spot. That feedback is a gift, not an obstacle.
  3. Humanize the Goals: Translate organizational goals (like “staying under the overtime cap”) into human terms. Instead of just announcing a hard stop, explain how protecting their rest allows them to bring their best creative selves to the show the next day.

Key Takeaways for Stage Managers

  • Data vs. Why: Data tells you the what, but empathy uncovers the why. Relying on one without the other gives you a dangerously incomplete picture of your production.
  • The Purpose Filter: A clear sense of purpose turns a “to-do” list into a source of strategic insight.
  • Strategic Empathy: Leading with empathy is a practical way to make smarter, more resilient decisions. It’s what makes a “manager” a leader.
  • The AI Frontier: As digital tools handle more of our analytical tasks, our greatest value as stage managers becomes our ability to connect, inspire, and navigate the messy, beautiful reality of live performance.
Photo courtesy of the author.

Production Stage Manager -UNITED STATES
Bryan Runion is a professional Production Stage Manager whose credits include: Drawn to Life (Cirque du Soleil and Disney), Netflix’s Stranger Things: The Experience, Duel Reality (7 Fingers), La Perle (Dragone), The Voice of Tolerance (The Ministry of Education, UAE); Mastercard Experiences (Mastercard); Everybody Black (World Premiere), Queens (La Jolla Playhouse), Ken Ludwig’s The Gods of Comedy (The Old Globe), TEDx (Chula Vista), Mark Morris Dance Company, Joey Alexander Trio, Ukulele Orchestra of Great Britain (La Jolla Music Society), The Bridges of Madison County (Arkansas Rep). Bryan earn his M.F.A. at The University of California, San Diego and his B.A. at The University of Arkansas at Little Rock. He is a proud member of Actors’ Equity Association and The Stage Managers’ Association.

This post was last modified on June 26, 2026 8:33 pm

Categories: Industry News
Bryan Runion: Bryan Runion is a professional Production Stage Manager whose credits include: Drawn to Life (Cirque du Soleil and Disney), Netflix’s Stranger Things: The Experience, Duel Reality (7 Fingers), La Perle (Dragone), The Voice of Tolerance (The Ministry of Education, UAE); Mastercard Experiences (Mastercard); Everybody Black (World Premiere), Queens (La Jolla Playhouse), Ken Ludwig’s The Gods of Comedy (The Old Globe), TEDx (Chula Vista), Mark Morris Dance Company, Joey Alexander Trio, Ukulele Orchestra of Great Britain (La Jolla Music Society), The Bridges of Madison County (Arkansas Rep). Bryan earn his M.F.A. at The University of California, San Diego and his B.A. at The University of Arkansas at Little Rock. He is a proud member of Actors’ Equity Association and The Stage Managers’ Association.
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