For more than three decades, UP – Circus & Performing Arts (formerly Espace Catastrophe) has been one of Europe’s most influential institutions dedicated to contemporary circus. Based in Brussels, the organization has played a pivotal role in supporting emerging artists, hosting international residencies, presenting performances, and connecting professionals through initiatives such as the UP Festival

There are theatrical scandals that are larger than the scandal itself. Moscow’s Pokrovka.Theatre, a city-funded repertory theatre, tested a system of cashless “gratitude” for actors. After a performance, spectators could scan a QR code and transfer money to a performer they liked. The initiative was presented gently: not quite “tips”, almost an alternative to flowers.

In the world of children’s theatre, there is often a strong temptation to filter out life’s complexities, sanitizing stories into bright, uncomplicated narratives. However, for Australia’s Slingsby Theatre Company and its artistic director, Andy Packer, shielding young minds from the murkier corners of human experience does them a disservice. Founded with a bold vision to

Hosting the StageLync podcast allows me to connect with some of the live performing arts industry’s most impactful pioneers. My recent conversation with Zoie Golding, a critically acclaimed dance innovator with over 25 years of impact across the UK culture scene, was a masterclass in how targeted creative projects can drive massive social change. As

RWS Global, the world leader in live moments across entertainment and sports, announced today that Matt Conover has joined the company as Divisional President, Global Production. Conover brings more than 37 years of experience from The Walt Disney Company and a proven track record of producing large-scale live entertainment experiences worldwide to his new team,

A pioneering investment in renewable technology aims to reduce emissions while keeping live entertainment affordable for families. Circus Funtasia has announced a milestone for the UK’s touring entertainment industry, becoming what it believes is the first touring circus in the country to operate using solar power instead of relying primarily on diesel generators. The initiative