Exploring the Lives of Sideshow Performers with The Uncle Junior Project
This week The Uncle Junior Project takes a break from its regularly scheduled content to present new historical research called Entrapment to Entertainment which explores the incredible achievements of African-American sideshow artists, many of whom were born into slavery and later sold into the circus. Through a combination of articles and still imagery, The Uncle Junior Project profiles acclaimed performers such as PT Barnum’s Joice Heth and conjoined twins Millie and Christine McKoy. This virtual curation will be separated into 4 separate acts as following these artists throughout their lifetimes and delves into their rich histories: origins, career, experiences, and death.
The Uncle Junior Project is a sharing of research on the African-American circus community sparked by respect for the work of circus animal trainer Emmanuel Ruffin (aka Uncle Junior), who was instrumental in the development of UniverSoul Circus as well as a role model to artists of color. Describing her regard for the figure of Uncle Junior, the project founder and circus artist Veronica Blair says, “In a lot of ways, he is my uncle, and the uncle of all of us who defy cultural and social stereotypes by stepping into the circus ring. I am honored and privileged to tell Junior’s story, and the story of other performers like him.” Blair is now celebrating 10 years of the Uncle Junior Project (UJP) and she describes launching her documentary series as “a rebranding / re-launching to celebrate this milestone.”
Veronica Blair is a professional aerialist with over 15 years of performing and teaching experience. She is currently Aerial Director for Celebrity Cruises Entertainment
Expanding her portfolio beyond performing, Veronica launched the development of “The Uncle Junior Project” in 2010. The ongoing documentary shines a light on the careers of African-American circus performers, including Emanual “Uncle Junior” Ruffin who remained largely uncredited for his contributions to American Circus until after his death. In 2017, she was invited to speak at the Smithsonian Folklife Festival about her experience as producer and director of “The Uncle Junior Project”, and served as organizer and moderator on a panel highlighting the African-American circus experience. She’s also worked with the African-American Art and Culture Complex to stage "Entrapment to Entertainment: A Celebration of Blacks in American Circus", a three-month exhibition that ran from October, 2013 – January 2014 with over 1,000 attendees.
Expanding her portfolio beyond performing, Veronica launched the development of “The Uncle Junior Project” in 2010. The ongoing documentary shines a light on the careers of African-American circus performers, including Emanual “Uncle Junior” Ruffin who remained largely uncredited for his contributions to American Circus until after his death. In 2017, she was invited to speak at the Smithsonian Folklife Festival about her experience as producer and director of “The Uncle Junior Project”, and served as organizer and moderator on a panel highlighting the African-American circus experience. She’s also worked with the African-American Art and Culture Complex to stage "Entrapment to Entertainment: A Celebration of Blacks in American Circus", a three-month exhibition that ran from October, 2013 – January 2014 with over 1,000 attendees.
Editor's Note: At StageLync, an international platform for the performing arts, we celebrate the diversity of our writers' backgrounds. We recognize and support their choice to use either American or British English in their articles, respecting their individual preferences and origins. This policy allows us to embrace a wide range of linguistic expressions, enriching our content and reflecting the global nature of our community.
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