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What one missing byline taught me about communication in cultural institutions. For years, without knowing it, I had been present on the website of Moscow’s Stanislavsky Electrotheatre in a slightly spectral form.  A substantial passage from my review of Konstantin Bogomolov’s The Magic Mountain, published in The Theatre Times, appeared on the production page. The

Try a little experiment. Think back to the best play, movie, or concert you have ever had the privilege to experience. Most likely, right now, your mind will resist giving you a detailed synopsis. You probably cannot reconstruct the exact sequence of scenes. Most of the dialogue is gone. You will not recall the precise

In July 2022, a giant LED screen fell onto the stage during a Mirror concert in Hong Kong. Two dancers were struck, with Mo Li Kai-yin suffering catastrophic spinal injuries that left him permanently paralysed from the neck down. Many people working in the events industry will remember the footage. If you do decide to

As Russian attacks disrupt daily life in Kyiv, young Ukrainian performers continue to train, compete and pursue international careers. The Golden Gate Cup at the National Circus of Ukraine offers a window into a wider movement keeping the country’s circus tradition alive during the war. On 8–9 October 2026, the National Circus of Ukraine in

This January, renowned theatre company The John Godber Company presents Wolf Country, a brand-new comedy about friendship, Yorkshire and the supernatural. The production is written and produced by Elizabeth Godber, whose previous work includes the UK Theatre Award-nominated The Comedy of Errors (More or Less), and directed by co-director of The John Godber Company and