I went to see one of my very good friends in a show last night. We have a cute theatre near where I live, The Palace Theatre. I’ve seen a few shows there. As a professional dancer myself, of course it wouldn’t be human if I didn’t watch it as such. For the most part

We celebrate the magic of theatre, but what about the very real, often invisible, human burdens that artists carry onto the stage? The ‘show must go on’ is a powerful myth, but it often hides the true cost of creation. I remember standing in the wings, watching an actor just before her cue. The stage

Self-tapes are now a regular part of the audition process for young performers, not only for screen work, but increasingly for theatre auditions, drama school first rounds, musical theatre courses and wider performance opportunities. Lisa Southam, actor, drama coach and host of The Drama Coach Podcast, explores why young actors need more than talent and

In this preview episode of the StageLync Podcast, I sit down with theatre director and artistic leader Andy Packer to reflect on the 20-year journey of Slingsby Theatre Company. What began as a small ensemble touring schools in South Australia has grown into an internationally recognised company performing across multiple continents. Andy shares the thinking

JW3, the UK’s leading Jewish cultural venue, marks its 13th anniversary by celebrating its very own Bar Mitzvah as the building “comes of age”. On Sunday 28th June, JW3 will open its doors for an all-day celebration of culture and community. With family circus shows and Israeli dance workshops, as well as the launch of

Following rave reviews at Park Theatre in March 2026, SH Productions and telling tales bring dynamic double bill, tell me straight and aggy to the King’s Head Theatre this autumn. Written by Paul Bradshaw (West 11, Southwark Playhouse; The Barn, Turbine Theatre), both plays offer a  candid portrayal of modern queer life in London, exploring