Listening is More Than A Technical Skill

The quietest moments in a studio have taught me the most.

Not when the music stops, but in the few seconds before someone says, “Let’s try that again.”

I’ve learned to recognize those pauses. Sometimes they mean an artist is searching for the right words. Sometimes they’re replaying the last take in their mind. Sometimes they’re simply gathering the courage to be vulnerable one more time. Those moments are almost silent, yet they often tell me more than the speakers ever could.

When I first became interested in audio engineering, I thought listening meant hearing what others couldn’t. I chased clean recordings, balanced mixes, and perfect microphone placement. I believed that was what separated a good engineer from a great one.

Those skills still matter. They are the foundation of our craft. But somewhere between sitting behind the console and standing in front of the microphone as an artist myself, my understanding of listening began to change.

I started paying attention to what couldn’t be measured on a meter. The hesitation before pressing record. The relief that follows a simple, “That was a good take!” The silence after a difficult song, when no one feels the need to speak because the performance has already said enough.

Every session reminds me that behind every waveform is a person trusting us with something deeply personal. We don’t just capture sound; we witness moments of creativity, doubt, excitement, and courage. That trust is something I never want to take for granted.

Our ears help us build great recordings. But our willingness to truly listen helps us build something just as important: confidence, connection, and trust.

The longer I work in this industry, the more convinced I become that listening is more than a technical skill. It is one of the quietest ways we tell artists, “I hear you.” Sometimes, that’s the difference between recording a song and capturing a performance.

Author: Lydiah Dola

Main image courtesy of the author

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Editor's Note: At StageLync, an international platform for the performing arts, we celebrate the diversity of our writers' backgrounds. We recognize and support their choice to use either American or British English in their articles, respecting their individual preferences and origins. This policy allows us to embrace a wide range of linguistic expressions, enriching our content and reflecting the global nature of our community.

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SoundGirls

The mission of SoundGirls.org is to inspire and empower the next generation of women in audio. Our mission is to create a supportive community for women in audio and music production, providing the tools, knowledge, and support to further their careers. SoundGirls.Org was formed in 2013 by veteran live sound engineers Karrie Keyes and Michelle Sabolchick Pettinato and operates under the Fiscal Sponsorship of The California Women’s Music Festival, a 501(c)3 non-profit organization. In 2012, Karrie and Michelle participated in the “Women of Professional Concert Sound” panel at the AES Conference in San Francisco. The panel was hosted by the Women’s Audio Mission (WAM) and moderated by WAM founder Terri Winston. Terri brought together five women working in live and broadcast audio. The groundbreaking panel (which also included Jeri Palumbo, Claudia Engelhart and Deanne Franklin), provided young women and men a glimpse into life on the road, tips and advice, and a Q & A with the panelists. More importantly though, was how incredibly powerful the experience was for the panelists. We had all been in the business for 20 years or more, yet most of us had never met before that day and within minutes we bonded like long-lost sisters. We were struck by how similar our experiences, work ethics, and passions were and wondered why our paths had never crossed and how our careers would have been different had we been there to support each other through the years. Each of us are strong on our own, but together we were even stronger and a powerful force. We were empowered. Each of us had been asked hundreds of times in our careers: Are there other women doing sound? How did you get into sound? How would a young woman go about getting into sound? Through creating SoundGirls.Org, we hope to establish a place for women working in professional audio to come for support and advice, to share our success and failures, our joys and frustrations, and for empowerment and inspiration.