Post-colonial Symbols in Circus: Staging Ko’Ch Ritual in Patrick Masset’s “Reclaim”
This article is part of the “inter-magazine Circus Festival” projects that is a collaboration between the UP – Circus &
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Harriet holds a degree in Sculpture from ENSAV La Cambre (School of Visual Arts in Brussels) and is currently pursuing a Master's in Performing Arts at ULB (Brussels), specializing in live performance. As a sculptor, she creates masks and costumes and works as a documentary filmmaker. Her first short film, “Rien ne permet, si ce n'est des accidents, si ce sont des accidents…” spans 2021-2024. Currently, Harriet is increasingly drawn to writing, focusing on reflecting and denouncing neo-colonial practices within spaces of representation and exploring ways to decolonize and re-politicize these spaces.