World Premiere of David Shopland’s Cul-de-Sac Announced
The debut run has been announced for Cul-de-Sac, the new play from WhatsOnStage and multi OffWestEnd Award-nominated playwright David Shopland (Saving Britney, 2022 The Other Palace/UK Tour; Raising Kane, 2023 Edinburgh Festival Fringe, Assembly Venues; Lessons Learned, 2017 National Theatre of China). Presented by Fake Escape, the acclaimed company behind the multi-five-star, sell-out Off-Broadway hit Saving Britney, Cul-de-Sac is heading to Clapham’s Omnibus Theatre for its first-ever performances from late May.
With the precision of a scalpel and the unpredictability of a slammed door, Cul-de-Sac is a witty and wine-soaked post-mortem dissection of contemporary Britain, in which Shopland peels back the layers of Millennial civility with unflinching honesty. Tackling everything from cultural identity to the ever-increasing price of a London pint, Cul-de-Sac gives voice to the broken Millennial suburbanite experience. It’s a story about people finding themselves in the middle: middle-age, middle-class, neither urban nor rural, mid-journey in their careers, and mid-journey in their existences.
Located in Northwood Hills, Zone 6 London, otherwise referred to as The Middle of Nowhere, we meet four characters: Ruth is questioning every decision she’s ever made; Simon is grappling with a personality he can’t quite define; Marie is keeping a secret that could shatter everything; and Frank, who just desperately wants his driveway back. What starts as a quiet evening rapidly unravels, as polite smiles give way to sharp words, truths spill as freely as the booze, and when an unexpected guest arrives, the night explodes into chaos. Cul-de-Sac pulls back the net curtains on the quiet desperation of suburbia like never seen before.
Writer and Director David Shopland comments, “Millennials often feel trapped between worlds; we grew with technology, we weren’t born into the technological age. We straddle the past and the future in a way unique perhaps to any other generation given the acceleration of, well, everything. I think because of this, a lot of us feel lost. A lot of us stumbled into lives that actually weren’t meant for us, and a lot of us didn’t realise until it was far too late. I wanted to spend a night looking through the window at some of these people. I wanted to do it with humour, and I wanted to do it with objectivity.”
Website: www.fakeescape.org/cul-de-sac
Main Image: Courtesy of Fake Escape
Editor's Note: At StageLync, an international platform for the performing arts, we celebrate the diversity of our writers' backgrounds. We recognize and support their choice to use either American or British English in their articles, respecting their individual preferences and origins. This policy allows us to embrace a wide range of linguistic expressions, enriching our content and reflecting the global nature of our community.
🎧 Join us on the StageLync Podcast for inspiring stories from the world of performing arts! Tune in to hear from the creative minds who bring magic to life, both onstage and behind the scenes. 🎙️ 👉 Listen now!