Between Past and Future of Schiller Opera
This article is part of the “Inter-magazine Circus Festival” project that is a collaboration between the Université Libre de Bruxelles
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Charlotte Pfingsten holds a BA in Anthropology and Catholic Theology from Hamburg and is currently pursuing an MA in Comparative Dramaturgy and Performance Research in Frankfurt and Brussels. Her research explores dis/inhibition, anarchy, and mortality, with a particular focus on eroticism and dance, (eco-)feminism, and apocalypse. She is currently investigating the (self-)perceptions of dance and movement practices among marginalized groups as part of her preparation for her master’s thesis.