I am interested in the theater precisely as the Bataille's project of “slaughter of words”, and not as a collection of strained demiurgic attempts to produce simulacra in the image and likeness of the text. I would like to write a play full of holes in time - to accomplish being out of habit: how I see that a person is no more important in space than a tree or stool, that the main roles are given to light and sound, that a spoken idea is a lie - therefore it is necessary to bypass the level of discursiveness, and see what happens (I know nothing)
