Aude has a deep and yet empathically-dancing soul who was born with a vibrant passion for movement. Ever since her discovery of dancing and hand-balancing, she has felt a calling to play along with this combination of both fluidity and stability in order to create imagery which can inspire you. Her thirst for embodying all sorts of different concepts becomes manifest in her versatility and makes her entirely adaptable to all project types, much like water that takes shape wherever it flows. Regardless of where the flow of life carries her, she always strives to make these precious connections between the artists and the public where, simply as human beings, common feelings are shared in order to inspire each and everyone to pursue whatever interiorly awakes him or her on the way. Best wishes to you until we meet.
Aude is a hand balancer, contemporary dancer and choreographer. She was a trainee at the National Circus School and she has been approached by Cirque du Soleil to feature in its “Birthday Card Project”. She is presently part of the show “BOUGE” by Le Gros Orteil circus company and she has participated in the following projects: trainee at rehearsals of the show “Triptyque” by Les 7 Doigts de la main, “Humans in Circus” by Marie-André Robitaille’s from Gynoide hosted by Holly Treddenick of Femme du Feu, “Gamine” by Éliane Bonin of the Productions Carmagnole, “Hot 5” by Zoey Gould from Upside Down Theater Circus and corporative events with Cirquantique. She was one of the contemporary dancers in Kyra Jean Green’s creation at Place des arts for the Quartier Danse Festival, one of the two solo performers in the Rubberbandance's show workshop at Domaine Forget and performed a Tentacle Tribe’s dance piece at TransFormation Danse. Aude has presented her creations at Festival MCC, Tohu’s season launch, Jardins Gamelin’s opening ceremony, “Nuit blanche” festival at Bota Bota spa-sur-l’eau and others.
The hand balancing act she will be performing offers a dreamlike view of the body’s swaying movements which personify her query towards realizing whether hand-balancing has taken up her freedom.
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